Lee Alexander McQueen, (17 March 1969 – 11 February 2010) was a British fashion designer and couturier. He is known for having worked as chief designer at Givenchy from 1996 to 2001 and for founding his own Alexander McQueen label. His achievements in fashion earned him four British Designer of the Year awards (1996, 1997, 2001 and 2003), as well as the CFDA’s International Designer of the Year award in 2003.
While on Savile Row, McQueen’s clients included Mikhail Gorbachev and Prince Charles. At the age of 20, he spent a period of time working for Koji Tatsuno before travelling to Milan, Italy and working for Romeo Gigli.
McQueen returned to London and applied to Central Saint Martins College of Art and Design, to work as a pattern cutter tutor. Because of the strength of his portfolio he was persuaded by Bobby Hillson, the Head of the Masters course, to enroll in the course as a student. He received his master’s degree in fashion design and his 1992 graduation collection was bought in its entirety by influential fashion stylist Isabella Blow, who was said to have persuaded McQueen to become known as Alexander (his middle name) when he subsequently launched his fashion career.
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It was during this period that McQueen relocated to Hoxton, which housed other new designers, including Hussein Chalayan and Pauric Sweeney.It was shortly after creating his second collection,”McQueen’s Theatre of Cruelty”, that McQueen met Katy England, his soon to be “right hand woman”, when outside of a “high profile fashion show” trying to “blag her way in”.He promptly asked her to join him for his third collection, “The Birds” at Kings Cross, as “creative director”.Katy England continued to work with McQueen thereafter, greatly influencing his work – his “second opinion”.
McQueen designed wardrobe for David Bowie’s tours in 1996-1997, as well as the Union Jack coat worn by Bowie on the cover of his 1997 album Earthling. Icelandic singer Björk sought McQueen’s work for the cover of her album Homogenic in 1997.McQueen also directed the music video for her song “Alarm Call” from the same album and later contributed the iconic topless dress to her video for “Pagan Poetry”.McQueen also collaborated with dancer Sylvie Guillem, director Robert Lepage and choreographer Russell Maliphant, designing wardrobe for theater show “Eonnagata”, directed by Robert Lepage. The film “Sylvie Guillem, on the edge” produced by French production company A DROITE DE LA LUNE, traces whole history of the creation of the show, from first rehearsals which took place in Quebec until world premiere which was held in 2008 at Sadler’s Wells theater in London.
Camilla Belle in a 2009 dress by Alexander McQueen, listed among “100 Best Dresses of the Decade” byInStyle magazine.
McQueen’s early runway collections developed his reputation for controversy and shock tactics (earning the title “l’enfant terrible” and “the hooligan of English fashion”), with trousers aptly named “bumsters” and a collection titled “Highland Rape”. In 2004, journalist Caroline Evans also wrote of McQueen’s “theatrical staging of cruelty”, in 032c magazine, referring to his dark and tortured renderings of Scottish history. McQueen was known for his lavish, unconventional runway shows: a recreation of a shipwreck for his spring 2003 collection; spring 2005’s human chess game; and his autumn 2006 show “Widows of Culloden”, which featured a life-sizedhologram of supermodel Kate Moss dressed in yards of rippling fabric.
McQueen’s “bumsters” spawned a trend in low rise jeans; on their debut they attracted many comments and debate.Michael Oliveira-Salac, the director of Blow PR and a friend of McQueen’s said, “The bumster for me is what defined McQueen.” McQueen also became known for using skulls in his designs. A scarf bearing the motif became a celebrity must-have and was copied around the world.
McQueen has been credited with bringing drama and extravagance to the catwalk.He used new technology and innovation to add a different twist to his shows and often shocked and surprised audiences. The silhouettes that he created have been credited for adding a sense of fantasy and rebellion to fashion. McQueen became one of the first designers to use Indian models in London.
Born on 17 March 1969 in Lewisham, London, to Scottish taxi driver Ronald and social science teacher Joyce, McQueen was the youngest of six children. While he reportedly grew up in a council flat, the McQueens had lived in a terraced house in Stratford since McQueen was less than a year old.He attended Carpenters Road Primary School, started making dresses for his three sisters at a young age, and announced his intention to become a fashion designer.
McQueen later attended Rokeby School and left aged 16 in 1985 with one O-level in art, going on to serve an apprenticeship with Savile Row tailors Anderson & Sheppard, before joining Gieves & Hawkes and, later, the theatrical costumiers Angels and Bermans. While serving his apprenticeship, McQueen attended the Rosetta Studio Workshops led by Yvonne Humble. The skills he learned as an apprentice on Savile Row helped earn him a reputation in the fashion world as an expert in creating an impeccably tailored look.
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The president of LVMH, Bernard Arnault, caused a stir when he appointed McQueen head designer at Givenchy in 1996, succeeding John Galliano. Upon arrival at Givenchy, McQueen insulted the founder by calling him “irrelevant”. His first couture collection with Givenchy was unsuccessful, with even McQueen telling Vogue in October 1997 that the collection was “crap”. McQueen toned down his designs at Givenchy, but continued to indulge his rebellious streak, causing controversy in autumn 1998 with a show which included double amputee model Aimee Mullins striding down the catwalk on intricately carved wooden legs. This year also saw McQueen complete one of his most famous runway shows previewing Spring/Summer 1999, where a single model, Shalom Harlow graced the runway in a strapless white dress, before being rotated slowly on a revolving section of the catwalk whilst being sprayed with paint by two robotic guns. Givenchy designs released by Vogue Patterns during this period may be credited to the late designer. McQueen stayed with Givenchy until March 2001, when the contract he said was “constraining his creativity” ended.
McQueen’s most celebrated and dramatic catwalk show was his 2001 Spring/Summer collection, named VOSS. The centre piece tableau that dominated the room was an enormous glass box. But because the room outside the box was lit and the inside of the box was unlit, the glass walls appeared as large mirrors, so that the seated audience saw only their own reflection. Finally, after an hour, and when the show began, lights came on inside the enormous glass case and revealed the interior to be filled with moths and, at the centre, a naked model on a chaise lounge with her face obscured by a gas mask. The glass walls then fell away and smashed on the ground.
The model chosen by McQueen to be the centre of the show was the British writer Michelle Olley. (The show also featured Kate Moss and Erin O’Connor). McQueen said that the tableau was based on the Joel Peter Witkin image Sanitorium. The British fashion photographer Nick Knight later said of the VOSS show on his SHOWstudio.com blog:
“The girl in the box was Michelle Olley. She modelled for me in a story I did called Sister Honey… She was a writer and I remember she wrote a great piece on being the Butterfly Girl in the middle of that (McQueen) Glass Box show. I was sat on the front row, inbetween Alexandra Schulman and Gwyneth Paltrow. It was probably one of the best pieces of Fashion Theatre I have ever witnessed.”
Alexander McQueen later described his thoughts on the idea used during VOSS of forcing his audience to stare at their own reflection in the mirrored walls for over an hour:
“Ha! I was really pleased about that. I was looking at it on the monitor, watching everyone trying not to look at themselves. It was a great thing to do in the fashion industry—turn it back on them! God, I’ve had some freaky shows.”
In Spring 2011, Michelle Olley was asked by the Metropolitan Museum of Art in New York to contribute to their Alexander McQueen exhibition, Savage Beauty. She was interviewed by The Met about VOSS for the audio guide to the show. Olley’s detailed diary/journal of modelling for McQueen – written between 18–27 September as the show was being planned and staged – was included in the Met Museum website coverage of the Savage Beauty exhibition. The VOSS diary relates details of the show and encounters with McQueen, ending with how Olley returned home after the show to find:
“…a MASSIVE bouquet of flowers has arrived, with a note [from McQueen] saying, “Thank you for everything – you were beautiful! – Lee xxx””
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By the end of 2007, Alexander McQueen had boutiques in London, New York, Los Angeles, Milan, and Las Vegas. Celebrity patrons, including Nicole Kidman, Penélope Cruz, Sarah Jessica Parker, and Rihanna, and J-pop queens, such as Ayumi Hamasaki, Namie Amuro, and Koda Kumi, have frequently been spotted wearing Alexander McQueen clothing to events. Björk, Ayumi Hamasaki and Lady Gaga have often incorporated Alexander McQueen pieces in their music videos.
Alexander Mcqueen London store
Alexander Mcqueen London store
Alexander Mcqueen Los Angeles store
Some of McQueen’s accomplishments included being one of the youngest designers to achieve the title “British Designer of the Year”, which he won four times between 1996 and 2003; he was also awarded the CBE and named International Designer of the Year by the Council of Fashion Designers in 2003.
December 2000 saw a new partnership for McQueen, with the Gucci Group’s acquiring 51% of his company and McQueen’s serving as Creative Director. Plans for expansion included the opening of stores in London, Milan, and New York, and the launch of his perfumes Kingdom and, most recently, My Queen. In 2005, McQueen collaborated with Puma to create a special line of trainers for the shoe brand. In 2006, he launched McQ, a younger, more renegade lower-priced line for men and women.
McQueen became the first designer to participate in MAC’s promotion of cosmetic releases created by fashion designers. The collection, McQueen, was released on 11 October 2007 and reflected the looks used on the Autumn/Winter McQueen catwalk. The inspiration for the collection was the 1963 Elizabeth Taylor movie Cleopatra, and thus the models sported intense blue, green, and teal eyes with strong black liner extended Egyptian-style. McQueen handpicked the makeup.
McQueen’s death was announced on the afternoon of 11 February 2010. In the morning, his housekeeper found him hanged at his home on Green Street, London W1.Paramedics were called and they pronounced him dead at the scene.
McQueen died nine days after his mother Joyce had died from cancer at the age of 75. David LaChapelle, a friend of the designer, said that McQueen “was doing a lot of drugs and was very unhappy” at the time of his death. McQueen’s death came just days before London Fashion Week, although he was not scheduled to appear there.
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McQueen left a note saying, “Look after my dogs, sorry, I love you, Lee.” The Metropolitan Police stated that the death was not suspicious, but did not confirm that the death was a suicide. On 17 February 2010, Westminster Coroner’s Court was told that a post-mortem examination found that McQueen’s death was due to asphyxiation and hanging. The inquest was adjourned until 28 April 2010, where McQueen’s death was officially recorded as suicide. McQueen, who had been diagnosed with mixed anxiety and depressive disorder, took an overdose prior to hanging himself. He had taken drug overdoses in May and July 2009. Prior to hanging himself with his “favourite brown belt”, the inquest recorded that he had slashed his wrists with a ceremonial dagger and a meat cleaver. Coroner Dr Paul Knapman reported finding “a significant level of cocaine, sleeping pills, and tranquillizers in the blood samples taken after the designer’s death.”
On behalf of Lee McQueen’s family, Alexander McQueen [the company] today announces the tragic news that Lee McQueen, the founder and designer of the Alexander McQueen brand, has been found dead at his home. At this stage it is inappropriate to comment on this tragic news beyond saying that we are devastated and are sharing a sense of shock and grief with Lee’s family. Lee’s family has asked for privacy in order to come to terms with this terrible news and we hope the media will respect this.
— Alexander McQueen Office, Official Website, 11 February 2010
On 3 February 2010, McQueen wrote on his Twitter page that his mother had died the day before, adding: “RIP mumxxxxxxxxxxxxxxxxxxxxxxxxxxx.” Four days later, he wrote that he had had an “awful week” but said “friends have been great”, adding: “now i have to some how pull myself together”. His mother’s funeral took place on 12 February 2010. McQueen is survived by his father, three sisters, and two brothers.
McQueen’s funeral took place on 25 February 2010 at St. Paul’s Church, Knightsbridge, West London.His ashes were later scattered on the Isle of Skye.
A memorial was held for McQueen at St. Paul’s Cathedral on 20 September 2010. It was attended by Björk, Kate Moss, Sarah Jessica Parker, Naomi Campbell, Stella McCartney and Anna Wintour amongst 2,500 other invited guests. On 18 February 2010, Robert Polet, the president and chief executive of the Gucci Group, announced that the Alexander McQueen business would carry on without its founder and creative director.
The BBC reported that McQueen had reserved £50,000 of his wealth for his pet dogs so they could live in the lap of luxury for the rest of their lives. He also bequeathed £100,000 each to four charities; these include the Battersea Dogs and Cats Home in south London, and the Blue Cross animal welfare charity in Burford, Oxfordshire.
Right before Alexander McQueen’s death, he had an eighty percent finished Autumn/Winter collection, 16 pieces, presented during Paris Fashion Week on 8 March 2010, to a select handful of fashion editors in a mirrored, gilded salon at the 18th-century Hôtel de Clermont-Tonnerre.
Fashion editors picked his final designs. Editors said the show was hard to watch because it showed how McQueen was obsessed with the afterlife. The clothes had a medieval and religious look. Basic colours that were repetitively used were red, gold and silver with detailed embroidery. His models were accessorised to show his love for theatrical imagery. “Each piece is unique, as was he”, McQueen’s fashion house said in a statement that was released with the collection.
After company owner Gucci confirmed that the brand would continue, McQueen’s long-term assistant Sarah Burton was named as the new creative director of Alexander McQueen in May 2010. In September 2010, Burton presented her first womenswear collection in Paris.
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